Saturday, September 5, 2009

Buh-bye, Earl Turner?

Journalist Esther Lynn, who gossips about Vegas online as Claire Voyant, reported yesterday that "Earl Turner is no longer part of the [Las Vegas] Hilton's Shimmer Cabaret show." He's been co-headliner with Lani Misalucha.

The show's dark until Friday but Earl won't be there anymore when it resumes, Lynn writes. The rest of the juicy post:

"Depending which story you choose to believe, either Mr. Turner refused to take a requested pay cut as business is a bit slow right now, or Earl, of the inflated ego, went off to do a cruise ship gig, saying something like "I don't know how long Voices will run and I need to keep my other options open." Perhaps by NEXT Friday we will have the accurate information. What we have been told is that, for the immediate future, the show will reopen on the 11th with Ms. Misalucha at the helm. There will have to be lots of changes in advertising. If you have a pair of sharp scissors, you may want to join the team to help cut Earl's face out of all the photos and ads, and lop that "S" off the word Voices."

I just tried to confirm this report but it's Saturday and nobody from Hilton PR's team is around. A box office reservationist told me when I pressed her about whether Turner would be in the show upon its return, "As of now, Earl Turner is still officially in the show, but there is no guarantee that that will be always be the case."

I was intrigued by Lynn's "of the inflated ego" snark. I hadn't really been all that aware of Turner until he and his folks turned out to be the only people involved with "Las Vegas Celebrates The Music of Michael Jackson" to make significant comp demands or refuse to promote the event in the press.

Something tells me that if Turner really does depart for wetter climes, an interview with the lovely Ms. Misalucha -- an arranged entertainment marriage if there ever was one -- could be very illuminating.

Friday, September 4, 2009

What All The Fuss Is About

The professional, four-camera HD-quality video from "Las Vegas Celebrates The Music of Michael Jackson" remains out of reach for the moment as Erich needs to make time to go work with the company that shot it on post-production, but demand has been quite high for some -- any! -- quality video of Elijah Johnson's stunning performance in last Saturday's show at the Pearl.

Well, thanks to KLAS-TV's willingness to provide their raw footage, we now have this. You can download it from TheStripPodcast.Com or watch it on YouTube:



Because it's news footage and not a static shot, obviously you miss a lot and there are strange camera motions and focus-unfocus bits. But it certainly gives you a flavor of what we all saw and why Elijah's dad's phone has been ringing off the hook since the Today Show used a snippet in a report on the benefit.

Vegas Friday Foto Fun

[Update: A commenter noted that the KYK4FSH plate could be related to this fishing group. Totally possible!]

I don't have much time -- still laboring to get back on track after the benefit -- but I've had these images sitting on my desktop waiting for their blog moments. When better than a Friday of a holiday weekend?

First of all, someone needs to tell Google Maps...


...that the Boardwalk Hotel is no more. Isn't it odd what they have on the map and what they don't? Miracle Mile Shops is there but P-Ho isn't? Boardwalk is there but that gateway to CityCenter, Monte Carlo is MIA? Was the Boardwalk ever the most significant landmark in that area of the Strip?

Next, here is yet another reason...


...to love Holly Madison.

I had to be at the Hard Rock one Sunday recently when Rehab, the original Sunday pool party, was going on. Beyond how impressed I was by the crowds...



...I was also amused by the display case.


And as if the implants weren't enough, they have these T-shirts:


It made me wonder. Other than the sexual connotation of "I rubbed one out," I can't think of any other connotation. Am I missing something or is this simply a single entendre? Why not just write, "I spunked in the pool at Rehab" or something? Same thing, no?

I was stuck at a light up on the north end of the Strip the other day and wondered as I stared at this billboard...


...whether Arthur Weiner gets many calls these days.

And, finally, a little license plate fun. Or something. Is this...


...not offensive to Jews? What does it mean, anyway? My instinct is that's code for "Jew for Jesus," but I'm a little surprised the Nevada DMV would OK the use of a slur on a license plate.

This week's LVW col: What's I Just Do That For?

Here's this week's LVW column, going inside the mindset of why I did the MJ concert. -sf

What'd I Just Do That For?
My wild, wacky, journalistically complicated Michael Jackson benefit journey

By STEVE FRIESS

It all started on a sedate evening in Newport, Rhode Island. That’s where I was when Michael Jackson died, traveling for a family wedding. Jeff Gillan of Las Vegas One called asking me to join him to discuss MJ’s Vegas ties, and I suggested, as I was unavailable, that he corral Erich Bergen, a known Jackson devotee and a star of Jersey Boys at the Palazzo. Gillan did.

From that, the Las Vegas Sun let Erich write an essay about how the King of Pop had influenced him, and then he tweeted something vague about wanting to do a tribute show. Norm Clarke reported it as a concrete plan, and I called Erich to find out more.

But there really wasn’t any more. He had an extremely ambitious idea and an aim—to raise money for public-school music-education programs—but he knew not exactly how to go about it. As we discussed it (we’d become friends since my column about him this spring), he asked me to help him. I did not hesitate. I was suddenly co-producer of a benefit that, at that point, we thought would maybe fill the Liberace Museum showroom.

Whoa! Aren’t I a journalist? Aren’t I duty-bound to stay out of the news, not to make it, to observe and analyze, not to participate?

Read the REST at LasVegasWeekly.Com.

Thursday, September 3, 2009

Cirque Buys Other VIVA ELVIS Domains

Yesterday, I broke the news that the Cirque du Soleil show at Aria will be called Viva Elvis. The creator-director had told me so and I discovered that Cirque owns the domain VivaElvis.Com. I wondered on VegasHappensHere.Com yesterday why the company hadn't yet snapped up VivaElvisLV.com and VivaElvisLasVegas.Com, variations that would be wise for them to own as a standard preventative measure taken to ensure traffic doesn't go elsewhere by accident.

Someone in Montreal was paying attention. Within a couple of hours of my posts appearing, look what happened:



They done gone and bought up the two domains I referenced and, I imagine, other variations! This is obvious action-reaction. It's unclear to me, though, why they're not cloaking their ownership if they don't want people to know who owns a site, also standard cyber-behavior for companies of this size.

Meanwhile, Cirque spokeswoman Ann Paladie wrote me back on my request for confirmation: "We're not ready to announce the show name at this time. Thank you!!!"

P.S. Robin Leach interviewed director-creator Vincent Paterson the other day and got some terrific bits on the content of Viva Elvis, which opens in December.

Wednesday, September 2, 2009

MJ Benefit: The Dirt

As you might imagine, I had to bite my tongue a LOT this summer for the good of the effort to raise $100,000 as co-producer of "Las Vegas Celebrates The Music of Michael Jackson." Biting my tongue, however, was not in my nature and now I'm ready to explode.

Tomorrow, I open up in my Las Vegas Weekly column, but there's more that didn't find a home or deserved more detail than I had space for there. Ready?

1. The Earl Turner Fiasco. I should have known that Earl Turner, the co-headliner at the Las Vegas Hilton of whom I'd heard little previously, would be a headache when KCEP's Patricia Cunningham tried to get him on her radio show. KCEP is a black-oriented FM radio station and Cunningham wanted Turner to come on to discuss the MJ benefit. Turner refused, I was told, because she had never seen HIS show. Yeah, that's the spirit, Mr. Turner! (Clint Holmes ultimately did the spot.) But it only got better. His producer, Angelo Giordano, called us the night before the show to demand 15 comped seats. We refused this request -- no other performer even requested more than a pair of comp'd seats and many paid full price for several more -- but decided to offer him the seats for $20 a piece as a good-will gesture. At that point, we had sold out of all but the $129 seats, so this was a heckuva deal. Giordano agreed to this and was asked to pay when he picked up his seats at the box office, but when he arrived at the box office he became upset that he had to pay anything and walked off. Result? Fifteen seats that could have raised $2,000 for Las Vegas kids went empty. Nice. [As a post-script, though, Turner and his co-star, Lani Misalucha, performed wonderfully in the show.]

2. Ready For His Close-Up. Or Something. We got a call one day on our Skype line from someone who said he was a casino host at a major hotel asking about the show. I called back thinking maybe he wanted to discuss what we could do for high rollers. Not so much. Rather, the guy tells me, "I do an awesome Moonwalk! I do a better James Brown, but my friends tell me my Moonwalk is pretty awesome." When I explained that this wasn't that kind of show, he was confused and deflated and I felt badly, so I told him to email us his YouTube clips and Web information and we'd take a look. His reply: "Oh, I've never actually performed on a stage before. I thought this could be a great place to get started!"

3. The Girls Will NOT Be Ignored. As the prior anecdote indicated, we heard from lots of acts who wanted to participate and my co-producer, Erich Bergen, carefully selected what would end up in there. (My contributions in idea or organization, by the way, included the Las Vegas Mass Choir, the Green Valley High String Quartet, Lion King representation and the Zumanity singers.) By far the most insistent and bizarre, however, was the lady out of New Jersey who manages The Girls, a trio of female singers who made absolutely no sense to include in a showcase of Vegas or Vegas-relevant talent. Erich let them down politely, but the manager kept coming back via email, more hysterically each time until this:

"Michael is and will always be the King of Pop not merely because of his skill, talent, and the execution of his performances, but specifically because he, more than any other performer truly loved his fans and people. That love was real and not just to impress others. His tribute should be ditto. He would've selected The Girls to perform. He was just that kind of a guy. He was real. He would not shove them away with a thanks but no thanks response. ... He would want The Girls to pay tribute to him, not merely the 'big names.' The Girls are heartbroken and feel additional hurt because Michael is being remembered under 'glory and pomp' and his real fans whom he adored are left out of the tribute."

Erich again replied that it wasn't personal, it just wasn't a fit. The manager quieted down for a few days before sending along this: "Do you know of other places where they can perform?"

4. CUL8R, VH1. At the outset, it seemed like working with VH1's Save The Music Foundation could have benefits. They have a big name and marketing potential and what they do -- provide funding for music educators' salaries -- was in line with what we wanted to accomplish. Except there arose a few serious problems. Besides for the fact that they were very bureaucratic and almost required us to beg them to let us give them our money, the representative told us they do not provide any funding for Nevada schools. Not only that, but if we pledged to raise a certain amount of money and we fell short, Erich and I would be legally obligated to make up the difference. But the kicker was when we suggested that we give some of the money to VH1 and some to the Clark County Public Education Foundation. VH1 would absolutely not be involved in any event for which they had to share in revenues. In fact, they wouldn't even allow us to have an instrument drive -- to collect slightly used instruments for local schools, an idea that didn't ultimately pan out -- in conjunction with something they were branding. And so in the end, they missed out on tens of thousands of dollars as well as all the international publicity we generated. Oh well. Keep all that in mind the next time the VH1 Divas concert returns to Vegas.

5. Hello, My Name is Erish. The beauty of press releases is that they're written down. Even better, when they come on the computer, you can even cut and paste the parts you like if you're that sort of journalist. So explain, someone please, how Erich Bergen became "Erish Bergin" in this ridiculously written piece? Yes, my name gets misspelled, too, although he (accidentally?) got it right once, anyhow. But better yet, given how I have repeatedly stated I was only a casual Michael Jackson fan, where would this fellow possibly have come up with this quote attributed to me: "I’ve been a huge fan of the Michaels music since I was a child."

6. Husband of the Year Joe Jackson: I told most of the story of my encounter with Joe Jackson, father of Michael, the day it happened. But there was one little bit I left out. When we met, I told him I was sorry for his loss. He thanked me. I asked how his wife was faring. His response: "She keeps bursting out in tears every so often all of a sudden, but I keep telling her if she'd only gone over there [to Michael's home] to check up on him like I kept telling her to, he'd still be alive today."

The show is UP: The Next Big Li'l Thing

I pulled rank as the producer of the MJ show to have the first serious interview with Elijah Johnson since he exploded on stage in the Pearl. Tomorrow I should have video to show those of you who weren't there what we all witnessed, but until then, here's this week's show with the revelation that Johnson leaves the cast of Lion King in October because he's outgrown the role. Seriously. His dad says the contract says he can't grow more than 2 inches. (!?!) Also, thanks MUCH to Dave McKee of Las Vegas Advisor for filling in for Miles at such short notice as co-host. So, anyhow, right-click on the date below and save it to your computer. Or you can subscribe (it's free!) via this iTunes link or via this Zune link.

Sept. 3: The Next Big Li'l Thing

If you were at the Palms on Saturday for the Michael Jackson tribute benefit, you might want to put your ticket stub in a safe place. Years from now, the concert may very well be remembered in the same light as Motown 25, a magical moment when the world witnessed the birth of a major talent. This time, it was Elijah Johnson, the 11-year-old star of the Lion King at Mandalay Bay, who flew onto the stage in a burst of energy and confidence and sang and danced with an exuberance that now has the Tonight Show calling. Johnson, who leaves the cast of Lion King in October, joined us this hour with his father in the studio to discuss that magical moment last weekend and what it could mean for his future.

In Banter: MJ benefit follow-up, Earl Turner's peeps are jerks, McKee's Carmen Electra infatuation, MGM Mirage's condo issues and more.

Links to stuff discussed:

Elijah "LilElijahJ" Johnson’s website
Dave McKee’s blog is Stiffs and Georges blog
Coverage by John Katsilometes and Norm Clarke of the Michael Jackson concert
Cinevegas’ podcast of the Moonwalker Q-and-A
VegasHappensHere.Com breaks the Viva Elvis title for Cirque’s new Aria show
McKee’s Carmen Electra infatuation
VegasHappensHere.Com on Bill Lerner’s Union Gaming Group report on MGM Mirage condo pricing
MGM Mirage CEO Jim Murren’s CNBC interview
VegasHappensHere.Com on all the dirt behind the MJ event
The Myspace site and homepage of "Jersey Boys" star Travis Cloer, whose gorgeous cover of "The Music and Me" closes this episode