Showing posts with label barry manilow. Show all posts
Showing posts with label barry manilow. Show all posts

Wednesday, May 25, 2011

Terry Fator on divorce, "handlers" + Barry Manilow

OK, so the podcast is up and you can hear Terry Fator and his ex-wife Melinda discuss -- or not discuss as the case may be -- their marriage. I've also analyzed the situation a bit in this week's column, so you can read that, too. But I thought I'd provide a partial transcript of the salient parts because there was more to this conversation than the marital chatter. Like, for instance, the part where we're discussing Fator's gay puppet, Barry Fabulous, and he said this:

Fator: The whole point of Barry, I thought it would be a lot of fun to create a character that was almost an homage to the people of the past that we all knew were gay – Liberace, Paul Lynde – these guys we all knew were gay…

Friess: Barry Manilow?

Fator: Barry Manilow. And yet they just won’t come out of the closet. So that’s the whole point of Barry. It was like, you know these entertainers. There’s no doubt in our minds that they’re gay. Do we care? Of course we don’t care. It was the conservatives that made Liberace an icon.

Barry Manilow has, in fact, never confirmed whether he is gay.

The marital stuff was juicy, and I'll get to that in a moment, but Fator also had choice words for "handlers" he blames for some of the show's content:


Friess: You just said the show that opened at the Mirage as not yours. What about the show at the Hilton?

Fator: No, that was not mine either. That was other people.

Friess: Who? Who’s telling you what to do at that point?

Fator: Yes, exactly.

Friess: No, no. I’m asking you. Who?

Fator: From the very moment "America’s Got Talent" happened, I had advisers swoop in and take charge and take complete control of my career and life. I had my ex-wife who was at home telling me everything to do. I was the hen-pecked husband who never ever argued and never ever gave my opinion and then these advisers swooped in and I was the henpacked entertainer who never ever made a decision. It was all done by other people. It was wonderful because on the one hand I was achieving everything I ever wanted, but on the other hand, I wasn’t able to fulfill my creative potential as an entertainer. I would come up with an idea and I’d be immediately shut down by these advisers and then I would go, "Uh, OK," the way I did at home when I wanted soemthing at home.

Friess: Can you give me examples of things that were in the show in the beginning that aren’t there now?

Fator: Pretty much any of the dirty stuff. My show was getting dirtier and dirtier and we were getting more blatant. I like double entrendre jokes that are not outright dirty. And I was told, 'You’re in Vegas now, you can’t do a clean show. It has to be have edge, you know." They called it edge. . . . I was too big of a wimp because of the way I was raised to even mention it. It was that sense of confidence, the sense of, I won "America’s Got Talent" without any of these advisers. None of them were even there. I created this whole concept. . . . Their attitude was, "Well, you don’t know Vegas." And I was like, "I don’t care if I don’t know Vegas. Good entertainment is good entertainment, I’m a good entertainer and I’m a very good writer and I’m a creative person."

I asked him about his decision to have anti-Obama jokes in the show and why they're gone now, and this was his response:

Fator: That was one of those that was pushed on me, that they were saying that gives you edge. I definitely had second thoughts about that and it was one of those things that I caved and gave in to the other people. Once we had done that joke for two or three weeks, I put my foot down and said I don’t want to do political humor because I am a conservative, I am a Christian -- obviously my Christianity comes out when I do the song "Horses In Heaven" – but I don’t push anything down anyone’s throat and I certainly don’t want to use my show to push one political side or another. My show is about forgetting political differences. It’s about laughing or having fun and forgetting the realities of life.

Finally, for the record, here's some of the back-and-forth about his marriage:

Friess: I realize that nobody can say what goes on in a marriage. It’s always going to be personal and private, but was the demand on you as a public figure a factor in what happened to your first marriage?

Fator: Not at all. What really happened, the issues that were happening in my first marriage were happening for years before. I mistakenly thought success would fix those issues, and they made them even worse. Really, what happened was my ex-wife didn’t get along at all with my family and refused to allow them to enjoy the success that I had achieved, and family had been there when I first started ventriloquism. You know, decades before I ever met my first wife. It was just tearing me apart that they couldn’t be a part of it. I just really had to make a choice between my family and my mom, my brother and my sister and their families and my ex-wife. And I don’t regret that decision, haven’t regretted it one day because to sit and watch my mom who was not able to take part in any of the "America’s Got Talent" stuff because of my ex-wife, who was not able to take part in my first show in Las Vegas because of my ex-wife, to have my mom come to town and look at her face and see how proud she is sitting out there in the crowd. . . .

I did not have an affair on [Melinda]. She’s kinda gone out and made the claims that I did. What happened was that once we were separated, then it was several weeks afterward, my sister told me that [on-stage assistant] Taylor [Makakoa] was interested in me. I couldn’t believe it because I’m an older guy and I’m not that great looking. Turned out, She was looking for a guy who would love her and not cheat on her, and I’m that guy.

Friess: Part of your biography when you first came to Las Vegas and when you won "America’s Got Talent" was this notion that for all of those years, you were playing in empty rooms and convention halls and you were struggling until you finally got noticed and you got noticed big. Part of that was, you would give a lot of credit to your first wife for sticking with you and not abandoning that dream with you. Was that sort of television fable-making or was that true?

Fator: The actual reality of it was that I felt like I was stuck in what I felt was a no-win situation. I felt like I might as well make the best of it. When I wrote the first book, my ex-wife went through it and got really angry with me because I didn’t give her enough credit for enough stuff, so she edited it. (Laughs) When you’re stuck in a marriage, and in my mind there was no hope because I was raised to believe you don’t get divorced, that’s just not an option, you know, the old religious viewpoint of you can’t do it, you have to stick through everything, and so in my mind I was like, "Well, I might as well make this look good because I’m unhappy but we might as well look like it because I’m stuck." It wasn’t until I really started to get more confidence in myself. Another thing I was taught by my crazy religious father was if you do something good for yourself, it’s a sin and God’s going to punish you for that. I was terrified to do anything for myself. I was terrified to do anything that would benefit me. It was always about benefiting someone else. And I began to get the confidence in myself and said, "Wait a second, there’s absolutely nothing wrong with making a decision that helps me. That’s not a wrong thing. As a matter of fact, when I do good things for myself, it puts me in a better position to help others." And it was when I got that confidence in myself, when I got the realization that it’s not wrong, it’s not a sin to do something good that helps my life and my family’s lives, it was then that things really started to change in my life. It was when I really started to take control of my show.

It was when I started bucking everyone, my ex-wife included, and saying, "Wait a second, this is my life, this is my show, this is not your show, this is not your life, is when things really started changing for me." The show you came out to see, that’s my show. I put that show together, I wrote that show with the help of some other writers but they were my ideas and I was the end result of every decision that was made in that show. And I’m telling you, Steve, I’m more proud of that show than anything I’ve ever done in my entire lfe. And my life has become what I always truly dreamed of. I don’t have to exaggerate anymore. I don’t have to pretend anymore. I think that the success is probably what began to give me that confidence in myself and in my own ability to make decisions.

Friess: How old were you when you first got to know your wife?

Fator: I was in my mid-20s. That was another thing. In my mid-20s, I had no desire to have children. Never. Throughout our entire marriage, she never wanted children. But when I got to be about 30, I would be at an airport and I’d be picking up my luggage -- and of course I’d be by myself -- and I’d see a little kid run up to their dad and say “Daddy!” and I began to get those feelings of oh my gosh, I wonder what that feels like to have a child, to have children. And I’d go home and talk to my ex-wife about it and I would say, "Do you think there’s any possibility" and it was, "No, absolutely not, just get it out of your head, you’re never going to have kids, that’s all there is to it. There’s not even a discussion here." And of course, the way I was in life, it was "OK, OK. Whatever. It’s not my decision, it’s yours." That was another big issue. I’m here at the Mirage here, I ave a stable life, I don’t have to travel every day, I can have children. And now the prospect of having a houseful of kids and dogs and having a family is the sweetest prospect of all.

Friess: You kind of seem to acknowledge that it came out kind of badly in the press, the way you left your wife and got involved with Taylor. Is there anything you regret about the way that was rolled out?

Fator: Absolutely. And again, this was me not having the confidence in myself to make my own decisions and my advisors at the time, they were panicking and telling me that my career would be over. And so they advised me to hide my separation for six months. It was absolute hell. Taylor and I started dating and she had to hide in the shadows. And it was my fault because I did not have the confidence in myself and my own decisions to say, "No, this is how it’s going to be." I mean, I was lied to, I was told things by these advisers that my divorce attorney had advised me to do certain things and then when I talked to my divorce attorney, my dovorce attorney telling me no I would never tell you to do that. So it was people manipulating my life and my career and so, I feel what should have ehappened was I should have just come out and said, "Look, this is not working, it’s something that we just couldn’t see eye to eye," left her, made an announcement right away and then when Taylor and I started dating just dated in public and not have to worry about it. What’s funny is, it had almost no impact on anyone. Yeah, I got ripped, but sometimes people rip you.

I interviewed Melinda Fator for the podcast, and you can hear her responses, but she denies that the conversation about children ever happened and she denies rewriting Fator's book for make herself seem better.

Wednesday, October 13, 2010

Another Day, Another Nifty Harrah's Idea

Harrah's is really having a banner week in my book, and I like to think I'm a tough one to impress. On Monday, they started taking guests with dogs at Caesars Palace, the Rio and the Imperial Palace. On Tuesday, the Paris announced they would be hosting a taping of "Wait Wait Don't Tell Me" on Nov. 18.

And today, they may have revolutionized show-ticket buying. That's all.

Basically, they're applying the Buffet of Buffets concept to shows. If you buy one of their ALL STAGE passes for $99 (or $119 for non-Total Rewards members), you can go to as many of 17 Harrah's shows you want within the next 48-hour period. Here's the list:

  • Jubilee! (7:30 p.m. & 10:30 p.m.)
  • Human Nature (7:30 p.m.)
  • Rita Rudner (8:30 p.m.)
  • Matt Goss (10:00 p.m.)
  • Mac King (1:00 & 3:00 p.m.)
  • The Improv (8:30 p.m. & 10:30 p.m.)
  • Legends in Concert (7:30 & 10:00 p.m.)
  • Chippendales (8:00 p.m.)
  • Divas Las Vegas (10:00 p.m.)
  • Nathan Burton (4:00 p.m.)
  • Matsuri (4:00 p.m.)
  • Anthony Cools (9:00 p.m.)
  • George Wallace (10:00 p.m.)
  • X Burlesque (10:00 p.m.)
  • Vinnie Favorito (8:00 p.m.)
  • The Price is Right (2:30 & 7:30 p.m.)
  • Dirk Arthur (7:00 p.m. & 9:00 p.m.)
Also, for $40 more per ticket, you can also see Cher, Donny & Marie, Barry Manilow and Penn & Teller.

One serious downside: You have to buy the thing at the Planet Hollywood box office. Then you go to the box office of the show you want to see and present your pass. You can't pick up your tickets more than two hours before the show.

The Planet Hollywood connection is a little confusing. Peepshow is not on this list owing, I suspect, to the fact that BASE Entertainment owns it and must not have been keen on this. But then why force everyone to go there? I mean, other than the obvious decision to route foot traffic there.

There's also a serious potential here for scalping, it would seem. For $99, you can get all these tickets and pop from one place to another reselling them to people on line or to pre-arranged customers and, potentially, make a lot more money. Also, if the passes don't have specific names on them, theoretically I could buy some and deliver them to customers who pay a premium for me to do so for them so they don't have to go to the P-Ho. I suspect there will be tweaks made to this program to work around that.

That said, if this works it presents the potential for terrific value for tourists.

I can only imagine what they'll be announcing on Thursday and Friday.

Friday, October 23, 2009

The Strip + Petcast Are LIVE 4-6 pm PT Saturday!

We'll be recording two episodes of "The Petcast" followed by a new episode of "The Strip" tomorrow afternoon from 4-6 p.m. PT at LVRocks.Com.

First, Emily and I are set to interview Ed Martin, owner of the Hartsdale Pet Cemetery, the nation's oldest pet burial ground. Among other famous pets interred, Hartsdale last month handled the cremation of the last surviving working dog on the scene of the World Trade Center post-9/11.

Then, at about 4:30 pm PT, we Petcasters chat up Christina Cooper, co-owner of the Global Wildlife Center near Baton Rouge, La., about caring for a baby kangaroo abandoned by its mother, also a center resident.

After that, Miles and I will discuss the week's Vegas news -- Steve Wynn gets political, Monopoly takes over the town, rumors surrounding Barry Manilow and much more -- and feature a terrific interview with Fleur de Lys owner Hubert Keller about his "Top Chef" experiences and much more.

You can listen live from 4-6 p.m. PT via LVRocks.Com and chat with fellow listeners and us in the chatroom. Or hang on and we'll publish the podcast editions. Your call!

Wednesday, October 7, 2009

Manilow To Open At Paris On V-Day Weekend?

The official announcement just came that Barry Manilow's tenure at the Hilton ends Dec. 30. KVBC's Alicia Jacobs had reported as much last month and I had already Tweeted on Oct. 1 that I had confirmed that Manilow was in talks with Paris LV to move over there.

While the Paris folks have been coy because negotiations are ongoing, I now can report that Manilow has hired a new show director and is gunning for a Valentine's Day weekend 2010. Nothing's set in stone and no contracts have been signed, but the pieces are clearly falling into place.

Friday, March 20, 2009

ShowTickets4Locals.Com ARRESTED 3 members?!??

[UPDATE, 1:08 p.m. PT: Just got a blast that they've got Manilow seats available for tonight. What, not enough premium members wanted them? Or are members just scared they'll get arrested?!?]


I've laid off the free-show-tickets outfits around here for more than a year. In fact, I've removed them from the upcoming edition of my Random House guidebook because I didn't want to get unsuspecting tourists in any sort of trouble.

But what came out of ShowTickets4Locals.Com yesterday was...well...wow.

The e-mail sent out to their members had a subject line of "What Happened Today With Manilow." Of course, I had to know! So I open it -- I usually delete email from ShowTickets because I just don't want or need free seats at Magic's A Drag -- and find a headline that reads: "Weeding Out The Cheaters."

I'm not going to show you the entire screed because it's really badly written. But from what I can glean, they offered free Barry Manilow seats to their "premium" members, those who pay an annual subscription. (Some members pay for dibs and better offers; free members usually get to see Magic's A Drag over and over and over again.) But some of those premium folks -- "you know who you are," they are scolded -- told their non-paying members about the deal and some non-paying members and even non-members replied to the offer.

"How did the Free Members find out about the tickets when we never sent them an e-mail blast? Seems we have some members who all work in an office together, and only one person pays for Premium status. When a show like the Manilow show is available, that person alerts all the Free members in the office that tickets are available, and they all start to call in for tickets. We also found one family member will pay to upgrade to Premium status, and alert all the other family members who are Free members when tickets become available. Some people who called us for tickets were NOT EVEN MEMBERS AT ALL! They were instructed by friends who were members to call and ask for free show tickets."

OMG! We never could have predicted THAT happening!

So anyhow, as I understand it -- this is where the email gets convoluted -- they had to take tickets away from those members who didn't qualify for them and redistribute them to those who did. Which seems sensible enough, except that this greatly upset the "ST4L Management." From now on, the note indicates, they will assign seats to premium members first as the situation demands and if a free member calls in before they're supposed to, they won't be put on the list.

Sounds good to me and I'm not sure why they didn't come up with that sooner, but this is where the note goes off the rails. Free members are warned that if they do this wrong, they'll find themselves not on the guest list when they show up for the show. "
You will be turned away, and if you make any type of commotion, security will escort you from the property," the Scum of the Earth is forewarned.

If that was it, I probably wouldn't be blogging this. But it's not, of course. The note suddenly takes an even harsher swerve with this:

"
If you claim tickets and attempt to sell them on internet web sites like Craig's LIst, you WILL BE PROSECUTED. We have already had 3 different members arrested for selling tickets in the past month, and we will villigently continue to catch the few bad apples."

OK. So:

(a) It's vigilant, not villigent (memo to GritsToGlitz.Com's Vocabulary Vixen!)

(b) I don't believe them because the logistics involved with getting the police to a casino to catch not just any scalper but one of their scalpers seems beyond realistic and it would require so much legwork on the part of the ST4L folks that it would be easier if they knew such a deal was going down to just yank the offender from that night's list. If it's true, show me the arrest reports. They'd be public record, so you don't have to worry about violating anyone's privacy.

And...

(c) How does that work, anyway? You don't get your tickets until within about an hour of showtime and you wouldn't know about it until earlier that day. There's time to post a Craigslist notice about it, sell it, get the tickets and meet the buyer at the theater to hand off the seats? And this improbably sequence worth it to all involved? And three offenders have been caught in the past month? What, is Metro in on some sort of sting operation?

The note finishes up with more threats. Here's part of it:

"
If a box office contacts us and says you were causing even the littlest commotion, you will be deleted from our membership and your IP address will be banned from the system preventing you from ever rejoining under a different user name."

But I like the way it closes, with a plea to free members to "do the right thing" and upgrade to premium status. "There are a few spaces available," they write.

Come on, now. Nobody believes that crapolina. There are as many spaces available as there are people willing to pay for them and you know it. So that's at least two lies embedded in this email. I do wonder how they can be so righteous about obeying rules and doing everything so honestly and maturely when their own missives are full of anger and absurd fallacies?


And, also, I must ask you free members who are always being scolded, is all of this really worth free tickets to Magic's A Drag?

Tuesday, August 19, 2008

Breaking: Name Change For Manilow

Say buh-bye to this...


...and hello to this:


In what must be a fairly rare occurrence in Las Vegas, Barry Manilow's show at the Las Vegas Hilton has been renamed starting this fall when he returns for more shows next week. The singer's program has been known since its 2005 debut as "Music And Passion," stealing the phrase from "Copacabana."

The show going forward will be known as "Ultimate Manilow: The Hits." The show's site, MusicandPassion.Com even bounces now to UltimateManilow.Com. The difference? Hilton spokesman Ira David Sternberg said the new show will exclusively be Manilow's songs, as opposed to the earlier renditions that included some covers from his shockingly successful Greatest-Songs-Of-The-Pick-A-Decade albums. It's unclear whether he'll stick strictly to the songs on his 2002 album "Ultimate Manilow." Barry's expected to perform at the Hilton for at least two more years.

It would seem that Manilow could have altered the song mix without changing the name, but perhaps it's a chance to remind the media that he's still over there and to sell a whole new line of Manilow-branded swag.

The last time I recall a show changing its name it was La Femme at MGM Grand becoming Crazy Horse Paris. I can't think of another such instance.

Thursday, June 5, 2008

Revisiting Manilow, Le Reve, Shark Reef

Hey kids. Miles and I are just now going to sleep after a treacherous travel day from Vegas to Long Island on that trailer park in the sky, Southworst. I didn't realize we were committing to two layovers -- in ABQ then BWI -- and in BWI we had weather problems that grounded us for five hours. Then we got on the plane and sat because, well, in five idle hours they forgot to make sure there was someone on hand to fly the bird. Sheesh. Anyhow, we're here now, will be in NY for a few days seeing some shows and unveiling my late grandfather's headstone, a Jewish year-after custom. So, for now, I leave you with this week's Weekly column about the spree of shows and attractions my niece and I saw last week and my thoughts on revisiting them.

The Manilow Principle

Why some shows are better the second time - and why some are not

By STEVE FRIESS

About 15 minutes into Barry Manilow’s Music & Passion show at the Las Vegas Hilton last week, I received a mocking text message from my partner. Miles had ducked out of having to go with me, my 16-year-old niece, Courtney, and my mother because he had to go to work at the last minute, but he hardly seemed unhappy about that twist of fate.

“So, does it suck yet?” the message taunted.

I missed the message. To my utter shock, I was having much too good a time.

Yes. At Manilow.

But, faithful and puzzled readers might be thinking, didn’t you just a few weeks ago mention how much you despised that very show in that commentary about all that was wrong with the new Cher production?

Indeed, that is why I was so bowled over. When your family visits, you tend to do things you wouldn’t ordinarily want to, and my mother was, is and probably always will be a Fanilow. So off I went, preparing both myself and poor young Courtney to suffer. I prepped the teen for the idea that this would fall into the so-bad-it’s-good category.

Except it wasn’t. It was so good it’s good. Really. In my guidebook, Gay Vegas, I had given this production a “C” and complained that it was a “rush job” with “dancers who seem confused about what they’re doing.” Yet on this night, a good 75 percent of the songs were not in the prior edition, Manilow was unstoppably exuberant and energetic, and even the closing “Copacabana” was less grating and, so it seemed, mercifully a little bit shorter. Also, unlike Bette, Celine or most notably Cher, Manilow remained on the stage for all but about three minutes of the concert. Of course, his “costume changes” involved changing his sportcoat. But still.

This revolution in my thinking led me to a spree of revisiting shows and attractions I hadn’t seen in a long while.

Read the rest HERE

Thursday, May 29, 2008

Show is UP: Ritaville

May 29: Rita Rudner

Rita Rudner is having another important career moment. The comic has a new book out that’s both funny and surprisingly emotional and she’s recently become the first Vegas comedian to star in a PBS special to air in June. Rudner, whose girly voice and wry battle-of-the-sexes observations continue to pack ‘em in nightly at the Harrah’s Las Vegas resort, joins us live this hour to catch us up on all of her activities.

In Banter: The s*it really flies at Panoram Towers, revisiting Manilow, notes from Tussaud's and SATC is coming to Vegas, sort of.

Links

Get tix for Rita Rudner’s show at Harrah’s here
See Rita Rudner’s website here
See the info about Rita’s PBS special here
See Steve’s Madame Tussaud’s pictorial here
The site for Ethel M’s chocolate tour is here
Listen to Steve’s inspiration, Terry Gross, here
Miles’ starter kit for new Erykah Badu enthusiasts is here

Tuesday, May 27, 2008

"The Strip" is LIVE @ 7 pm PT w/Rita Rudner

Hey kids, Rita Rudner's on the show tonight -- live. Really. Like she's alive and we're asking her questions about her new book, her PBS special, about whatever else is up. And you can be in the chatroom at LVROCKS.Com to funnel your questions to her.

Plus, we took another look at Manilow, checked out Madame Tussaud's and the sh*t is flying at Panorama Towers. Literally. Yikes.

Show starts at 7:05 p.m. PT as always. The podcast will be available on Thursday as always.

Wednesday, April 30, 2008

R.I.P. $250,000 Game Show Spectacular

I guess it wasn't that great an idea after all. I thought it would be.

With no publicity at all, the Las Vegas Hilton shut down the $250,000 Game Show Spectacular, a daytime production featuring a rotation of hosts including Chuck Woolery, Jamie Farr and Bob Eubanks. We had Chuck and Bob on "The Strip" last fall; I only found out that this show was no more when I tried this week to reach Jamie Farr for a future episode.

Ira Sternberg, the Hilton's spokesman, said the producers of the show, which opened on Oct. 8 and lasted about 6.5 months, pulled the plug. It was apparently a four-wall deal, meaning the producers were essentially renting the room.

There are no plans for another daytime show right now, Sternberg said. Having a show in that room during the day created conflicts with Barry Manilow and other performers who needed to rehearse for their nighttime gigs. And speaking of nighttime gigs, the band Phoenix, featuring Aerosmith guitarist Jimmy Crespo, performs every Thursday in that same theater starting tomorrow night. Tickets are only $19.99.

And since I know you're wondering: Nobody ever won that $250,000 prize. Bummer.