Showing posts with label mirage. Show all posts
Showing posts with label mirage. Show all posts

Wednesday, May 25, 2011

Terry Fator on divorce, "handlers" + Barry Manilow

OK, so the podcast is up and you can hear Terry Fator and his ex-wife Melinda discuss -- or not discuss as the case may be -- their marriage. I've also analyzed the situation a bit in this week's column, so you can read that, too. But I thought I'd provide a partial transcript of the salient parts because there was more to this conversation than the marital chatter. Like, for instance, the part where we're discussing Fator's gay puppet, Barry Fabulous, and he said this:

Fator: The whole point of Barry, I thought it would be a lot of fun to create a character that was almost an homage to the people of the past that we all knew were gay – Liberace, Paul Lynde – these guys we all knew were gay…

Friess: Barry Manilow?

Fator: Barry Manilow. And yet they just won’t come out of the closet. So that’s the whole point of Barry. It was like, you know these entertainers. There’s no doubt in our minds that they’re gay. Do we care? Of course we don’t care. It was the conservatives that made Liberace an icon.

Barry Manilow has, in fact, never confirmed whether he is gay.

The marital stuff was juicy, and I'll get to that in a moment, but Fator also had choice words for "handlers" he blames for some of the show's content:


Friess: You just said the show that opened at the Mirage as not yours. What about the show at the Hilton?

Fator: No, that was not mine either. That was other people.

Friess: Who? Who’s telling you what to do at that point?

Fator: Yes, exactly.

Friess: No, no. I’m asking you. Who?

Fator: From the very moment "America’s Got Talent" happened, I had advisers swoop in and take charge and take complete control of my career and life. I had my ex-wife who was at home telling me everything to do. I was the hen-pecked husband who never ever argued and never ever gave my opinion and then these advisers swooped in and I was the henpacked entertainer who never ever made a decision. It was all done by other people. It was wonderful because on the one hand I was achieving everything I ever wanted, but on the other hand, I wasn’t able to fulfill my creative potential as an entertainer. I would come up with an idea and I’d be immediately shut down by these advisers and then I would go, "Uh, OK," the way I did at home when I wanted soemthing at home.

Friess: Can you give me examples of things that were in the show in the beginning that aren’t there now?

Fator: Pretty much any of the dirty stuff. My show was getting dirtier and dirtier and we were getting more blatant. I like double entrendre jokes that are not outright dirty. And I was told, 'You’re in Vegas now, you can’t do a clean show. It has to be have edge, you know." They called it edge. . . . I was too big of a wimp because of the way I was raised to even mention it. It was that sense of confidence, the sense of, I won "America’s Got Talent" without any of these advisers. None of them were even there. I created this whole concept. . . . Their attitude was, "Well, you don’t know Vegas." And I was like, "I don’t care if I don’t know Vegas. Good entertainment is good entertainment, I’m a good entertainer and I’m a very good writer and I’m a creative person."

I asked him about his decision to have anti-Obama jokes in the show and why they're gone now, and this was his response:

Fator: That was one of those that was pushed on me, that they were saying that gives you edge. I definitely had second thoughts about that and it was one of those things that I caved and gave in to the other people. Once we had done that joke for two or three weeks, I put my foot down and said I don’t want to do political humor because I am a conservative, I am a Christian -- obviously my Christianity comes out when I do the song "Horses In Heaven" – but I don’t push anything down anyone’s throat and I certainly don’t want to use my show to push one political side or another. My show is about forgetting political differences. It’s about laughing or having fun and forgetting the realities of life.

Finally, for the record, here's some of the back-and-forth about his marriage:

Friess: I realize that nobody can say what goes on in a marriage. It’s always going to be personal and private, but was the demand on you as a public figure a factor in what happened to your first marriage?

Fator: Not at all. What really happened, the issues that were happening in my first marriage were happening for years before. I mistakenly thought success would fix those issues, and they made them even worse. Really, what happened was my ex-wife didn’t get along at all with my family and refused to allow them to enjoy the success that I had achieved, and family had been there when I first started ventriloquism. You know, decades before I ever met my first wife. It was just tearing me apart that they couldn’t be a part of it. I just really had to make a choice between my family and my mom, my brother and my sister and their families and my ex-wife. And I don’t regret that decision, haven’t regretted it one day because to sit and watch my mom who was not able to take part in any of the "America’s Got Talent" stuff because of my ex-wife, who was not able to take part in my first show in Las Vegas because of my ex-wife, to have my mom come to town and look at her face and see how proud she is sitting out there in the crowd. . . .

I did not have an affair on [Melinda]. She’s kinda gone out and made the claims that I did. What happened was that once we were separated, then it was several weeks afterward, my sister told me that [on-stage assistant] Taylor [Makakoa] was interested in me. I couldn’t believe it because I’m an older guy and I’m not that great looking. Turned out, She was looking for a guy who would love her and not cheat on her, and I’m that guy.

Friess: Part of your biography when you first came to Las Vegas and when you won "America’s Got Talent" was this notion that for all of those years, you were playing in empty rooms and convention halls and you were struggling until you finally got noticed and you got noticed big. Part of that was, you would give a lot of credit to your first wife for sticking with you and not abandoning that dream with you. Was that sort of television fable-making or was that true?

Fator: The actual reality of it was that I felt like I was stuck in what I felt was a no-win situation. I felt like I might as well make the best of it. When I wrote the first book, my ex-wife went through it and got really angry with me because I didn’t give her enough credit for enough stuff, so she edited it. (Laughs) When you’re stuck in a marriage, and in my mind there was no hope because I was raised to believe you don’t get divorced, that’s just not an option, you know, the old religious viewpoint of you can’t do it, you have to stick through everything, and so in my mind I was like, "Well, I might as well make this look good because I’m unhappy but we might as well look like it because I’m stuck." It wasn’t until I really started to get more confidence in myself. Another thing I was taught by my crazy religious father was if you do something good for yourself, it’s a sin and God’s going to punish you for that. I was terrified to do anything for myself. I was terrified to do anything that would benefit me. It was always about benefiting someone else. And I began to get the confidence in myself and said, "Wait a second, there’s absolutely nothing wrong with making a decision that helps me. That’s not a wrong thing. As a matter of fact, when I do good things for myself, it puts me in a better position to help others." And it was when I got that confidence in myself, when I got the realization that it’s not wrong, it’s not a sin to do something good that helps my life and my family’s lives, it was then that things really started to change in my life. It was when I really started to take control of my show.

It was when I started bucking everyone, my ex-wife included, and saying, "Wait a second, this is my life, this is my show, this is not your show, this is not your life, is when things really started changing for me." The show you came out to see, that’s my show. I put that show together, I wrote that show with the help of some other writers but they were my ideas and I was the end result of every decision that was made in that show. And I’m telling you, Steve, I’m more proud of that show than anything I’ve ever done in my entire lfe. And my life has become what I always truly dreamed of. I don’t have to exaggerate anymore. I don’t have to pretend anymore. I think that the success is probably what began to give me that confidence in myself and in my own ability to make decisions.

Friess: How old were you when you first got to know your wife?

Fator: I was in my mid-20s. That was another thing. In my mid-20s, I had no desire to have children. Never. Throughout our entire marriage, she never wanted children. But when I got to be about 30, I would be at an airport and I’d be picking up my luggage -- and of course I’d be by myself -- and I’d see a little kid run up to their dad and say “Daddy!” and I began to get those feelings of oh my gosh, I wonder what that feels like to have a child, to have children. And I’d go home and talk to my ex-wife about it and I would say, "Do you think there’s any possibility" and it was, "No, absolutely not, just get it out of your head, you’re never going to have kids, that’s all there is to it. There’s not even a discussion here." And of course, the way I was in life, it was "OK, OK. Whatever. It’s not my decision, it’s yours." That was another big issue. I’m here at the Mirage here, I ave a stable life, I don’t have to travel every day, I can have children. And now the prospect of having a houseful of kids and dogs and having a family is the sweetest prospect of all.

Friess: You kind of seem to acknowledge that it came out kind of badly in the press, the way you left your wife and got involved with Taylor. Is there anything you regret about the way that was rolled out?

Fator: Absolutely. And again, this was me not having the confidence in myself to make my own decisions and my advisors at the time, they were panicking and telling me that my career would be over. And so they advised me to hide my separation for six months. It was absolute hell. Taylor and I started dating and she had to hide in the shadows. And it was my fault because I did not have the confidence in myself and my own decisions to say, "No, this is how it’s going to be." I mean, I was lied to, I was told things by these advisers that my divorce attorney had advised me to do certain things and then when I talked to my divorce attorney, my dovorce attorney telling me no I would never tell you to do that. So it was people manipulating my life and my career and so, I feel what should have ehappened was I should have just come out and said, "Look, this is not working, it’s something that we just couldn’t see eye to eye," left her, made an announcement right away and then when Taylor and I started dating just dated in public and not have to worry about it. What’s funny is, it had almost no impact on anyone. Yeah, I got ripped, but sometimes people rip you.

I interviewed Melinda Fator for the podcast, and you can hear her responses, but she denies that the conversation about children ever happened and she denies rewriting Fator's book for make herself seem better.

The Show is UP: Fator v Fator

Some weeks, I head into an interview expecting one thing and a whole, very different other thing happens. This is one of those. Enjoy. Click on the date below to play or right-click to save the show. Or you subscribe -- for free -- in iTunes or Zune and you'll always get it first. -sf

May 25: Fator vs Fator

Terry Fator makes a lot of money as the master behind a string of colorful, entertaining puppets who croon standards nightly at the Mirage. But was the singing ventriloquist himself nothing more than a dummy, controlled by his ex-wife and so-called “handlers” who hijacked his career following his triumph on “America’s Got Talent”? That’s pretty much what he tells us this week in a stunningly candid interview that paints his former wife of 18 years as a self-aggrandizing, hen-pecking shrew who alienated him from his family and refused to bear him children. Melinda Fator, not surprisingly, has a different version of the story, and she gets her say, too. Also, the performer outs Barry Manilow.

In Banter: Caesars wants to soak tourists for an arena, NV may nix its smoking ban, the FAA is silent about the Ferris Wheel, the hosts baffle over who the &*#@ attends pro soccer and more.

Open & Banter: Start to 18ish
Terry Fator interview: 19-58ish
Trivia/Poll/Letters: 59-1:06ish
Melinda Fator interview: 1:07-1:24ish

TSTToTW: 1:24-end

Links to stuff discussed

Terry Fator’s website
Steve’s LVW column on Fator’s Barry Fabulous character
VegasHappensHere.Com on Fator’s lousy break-up style
Steve’s column in the Weekly based on these interviews
VegasMavens.Com profile of Steve and the podcast
Smoking ban in danger in Nevada
The R-J on the non-groundbreaking for the Ferris Wheel
Elvis is leaving the bathroom
Caesars’ Jan Jones writes an op-ed supporting soaking tourists
The latest from Howard Stutz on Christopher Milam’s arena plans
See pictures of the new Plaza rooms via their Facebook page
Internet Mafia Family Picnic Planned by VegasTripping.Com
Yelp on The Henry at the Cosmopolitan
Wait Wait Don’t Tell Me from NPR
The YouTube video of Terry Fator at the Michael Jackson tribute benefit
Robin Leach on Terry Fator dumping his manager, John McEntee
J. Patrick Coolican’s turn-the-Sahara-into-the-state-capital column
Gladys Knight raises her ticket price


Monday, May 23, 2011

The Strip is LIVE tonight: Fator vs Fator

We are live tonight on The Strip, where we'll be playing my stunningly candid interview with Mirage headliner Terry Fator, who lays the blame for his 18-year marriage on his ex-wife, Melinda. They split in 2009 and finalized their divorce in November 2010. Fator also talks about how he broke free from controlling handlers he said were forcing his show and career in directions he didn't like.

Melinda Fator also gets an opportunity to respond to specific allegations, and you'll hear that, too. That's the couple, above right, back when his Mirage show was announced in 2008. Terry Fator is now married to his on-stage assistant, ascendant model Taylor Makakoa, left.

Join us at 8 pm PT to listen and watch via the live cam. We'll play the two interviews back to back and then Miles and I will record the proper parts of the show starting at about 8:45 pm. Then you can expect the podcast edition to be available late Tuesday or early Wednesday.

Friday, May 1, 2009

Danny Gans On His Own Mortality And Legacy

I've just reissued the March 2, 2006 interview on "The Strip" podcast with the late impressionist Danny Gans, which you can hear by clicking here or download by right-clicking on here. It's a now-poignant half-hour that ranges from his views on his critics to his health regimen to his memories of how his ticket prices escalated over the years.

But the part that was so interesting was this exchange in which he explained what he wanted to be remembered for and why he didn't mind not being more famous. Here's the transcript of what he said, responding to that very question:

No, it doesn’t [bother me] because it is by choice. For someone listening, that might be a hard thing to understand, but I have times, if I elaborated on it, you’d think I’d be making up all the things that have been offered my way from sitcoms to motion pictures to talk shows. I don’t want that. I’m a family guy and I really treasure my privacy. So it is more important for me to be home with my wife and kids and be able to play golf and be with my friends than be on the cover of TV Guide? I really love doing my show but I don’t step out and say, "OK, I’m going to do that sitcom and that movie and that thing." It’s going to take away from the time I have with my kids while they’re growing up.

A conscious decision that Garth Brooks made several years ago to pull back so he could be with his children, I made that decision 15 years ago when no one knew who I was and I stepped into an opportunity where I was offered a one-man show on Broadway for a limited engagement for three weeks. I did the three weeks and I was offered a year on Broadway. I had already started doing some of the TV stuff and I turned down a lot of it but since I was in New York I said I’d do it so I did “Regis and Kathie Lee” and I didn’t like it. I just didn’t like it. I didn’t like the attention that goes along with it.

I had friends in the business who said, "You have no idea how lucky you are to be able to do what you do and not have to worry when I go outside because there’s going to be paparazzi every place. Hold on to that because you’re going to regret the fact that 50 years from now, when you’re about ready to go on to the next side, you look back at your life and you can say, 'I had a fulfilling life because I had a successful marriage and had raised three wonderful children and I had a career that I loved to go to every day or my marriage didn’t last and I don’t even know what the heck happened to my kids but hey, man, I was on three sitcoms and I did 17 films, people are gonna remember me forever now.'

What’s more important? Well, to me, honestly, from the bottom of my heart, it’s the family and being able to get up every morning and living my life as opposed to being the guy on the cover of People magazine. I have absolutely zero interest in that.

Here’s just one example. Just before I came to the Mirage, Aaron Spelling was a friend of mine and he said, "Look you gotta do a sitcom for me." I said, "Aaron, I don’t have the time, what am I gonna do?" He said, "Look, sign a contract that you won’t do another sitcom for anyone except for me." I said, "OK, I’ll do that for you." So we signed this contract and he gives me a ridiculous amount of money just to not do anything. And he writes the treatment, we start getting a casting call together the whole thing. He wants to do a pilot. I said, “Aaron, let’s really talk about this. Let’s talk about the day in the life of a sitcom actor. You can’t film it in Vegas so I’ll have to go to L.A.” He said, "Oh, we’ll private jet you up and back and I guarantee you it will make it on the air, it’ll have at least 13 episodes, I’ll put millions of dollars behind this, everyone will know who you are, you’ll be on the cover of every magazine, it’ll be huge, believe me, it’ll be a huge hit."

To make a long story short, Steve, a typical day would have been on Monday morning fly to L.A., do a table reading for four hours. Then I would rehearse, jump on a plane, fly to Las Vegas, take a cab to the Mirage, do the sound check, do the show, by the time I get home it’s 2 o’clock. … Do that five days a week, then on Friday, which would be my day off in Vegas, fly to Los Angeles and film two shows in L.A., then they have the weekend off but I have to go work at the Mirage on Sat or Sunday. And then Monday, it starts all over again. In other words, what is your motivation here. If I was single, I would do that, but I’m not.

Well, Mr. Gans, if you are measuring your life based on your devotion to your family, you were certainly a success. I bet you were a heckuva dad.

Sunday, August 19, 2007

Mirage Re-Wrapped With Love

I thought it was an optical illusion -- a mirage, as it were -- a few days ago when I saw the folks up high working on the "Love" wrap on the Mirage. It seemed like it was getting bigger but, no, surely they were just finishing up its removal.

Turns out, they're putting it back up. Why? According to an MGM Mirage spokeswoman, the old one had been up for about a year and was fading from the harsh desert sun so this was a replacement job. So I guess that means that this wrap will be permanent fixture on the skyline. I'm not real sure how I feel about the permanent defacing of these buildings with advertising. It is, after all, Vegas. But still...

Monday, July 16, 2007

Oh Danny, You Kidder You

Danny Gans has a new photo for his billboards and taxi ads. Danny Gans is at least 45 years old, based on his Web bio, which claims he spent 15 years on the road before he settled in Vegas in 1995. Danny Gans does not presently look like the photo to your left. Danny Gans presently looks like the photo to your right, which was taken in February by Ethan Miller of Getty Images.

See, they're different. But I won't go so far as to say it's a lack of truth in advertising. If anything, it shows that Danny Gans' image, just like his act, is obviously stuck in the '90s.

Tuesday, March 20, 2007

Guatemala and dolphins?

So I wrote a piece on the current concerns in the US government over possible fraud in the Guatemalan adoption process for USA Today. Guatemala is No. 2 in terms of the number of kids they adopt out to American parents and the system seems wide open for fraud that may include baby-selling and other duplicitous practices. Serious stuff. I have a particular interest in international adoption and have written about it quite a lot over the years.

One PR flak for the Mirage was so moved, sort of, that she wrote me. To say that seeing my piece in USAT on this reminded her to remind me that I really ought to consider a story on the Dolphin Habitat in Vegas.

Odd.