Showing posts with label siegfried and roy. Show all posts
Showing posts with label siegfried and roy. Show all posts

Saturday, September 10, 2011

Stuff I Found Cleaning Out My Vegas Office


As you may have read in my acclaimed love-letter essay to Las Vegas and my life there in Las Vegas Weekly, I spent my final days in Nevada packing up a house and office stuffed to the gills with historical and peculiar Vegas stuff. There was a shelf in my office closet with at least a six-foot pile of press materials that proved akin to an archeological survey, newest to oldest layered upon one another like a geological formation.

The stuff I unearthed was Vegas in its most optimistic, boosterish form, such as the above document outlining the expansion plans for the airport. I also found this promo for CityCenter...



...which is technically true because, uh, the future always begins now. Duh.

I loved this relic...


...and made sure to put this piece of Frontier glass in a safe place.


I found this magnet from the late, great Dive at the Fashion Show Mall, where I used to take my little brother all the time for fries and to peer through the periscope that offered a Strip view. It was just last month that a listener of the podcast asked me something about this place:


I found these artifacts of the earlier days of our podcast...


We used to send CDs and thank-you notes to all our guests, and once we got this back from the amazing Paula Poundstone:



Here was one of the table centerpieces from the final performance of Siegfried & Roy, a fundraiser for Keep Memory Alive, the foundation that funds the Lou Ruvo Cleveland Clinic for Brain Health in Vegas:


I found it rather unsettling that I did not and still don't remember that I had actually been a patient in 2002 of the most infamous endoscopy doctor in America:


At the same time, I find it awesome beyond words that I found this, which my old R-J friend Natalie Patton sent to me in 2000 when I was about to depart for China:


And I have no idea whatsoever how I came into possession of this rather invaluable bit of family history...


...but I'm so glad I have it.

Sunday, June 14, 2009

BREAKING: VOIGHT REVEALS 1981 ROY TIGER INCIDENT

At a Cinevegas screening of the recut version of the 1982 Hal Ashby film "Lookin' To Get Out" an hour ago, actor Jon Voight related a never-before-heard tale of a harrowing incident in which one of Siegfried & Roy's tigers tackled an elderly woman and had to be talked down by a member of the film crew.

In the movie, Voight and Burt Young play pals and gamblers who come to Vegas to try to make back money Voight's character lost in a poker game. The film was made largely at the old MGM Grand (now Bally's) and Ann-Margret plays a woman from Voight's past. The characters played by Voight, Young and Ann-Margret, attend a show in what is probably the Jubilee! Theater and Siegfried & Roy are among the acts shown.

According to Voight, Young was acting in the shot as though the tiger had startled him running about on the stage with Roy. Young was wearing sunglasses, and Voight surmised that the combination of Young's fake startling and the reflection of the lighting on the glasses caused the tiger to get scared and "he ran off the stage and on to a table."

Watch the 3-minute segment on this by clicking on the image below:


It's also on YouTube.

Here's the rest of Voight's tale:

"And the table fell and the tiger wound up sitting on top of an elderly woman. This is the truth! And Roy says, 'Everybody be calm.' And this little post man, he must’ve been about 5' 6", this little fella, he got up and he grabbed the tiger and he said, 'Get off her now, get off her.' And this post man saved the day. Unbelievable hero. Finally, Roy comes in and says 'Very good, everybody stay where you are,' and he calmed this animal down and got it out of there. And we had no injuries, maybe a bruise or two. ...

In crises, people handle themselves nicely. Everybody in that group, nobody was looking at the insurance policy, none of that. That’s a true story."


Uh, wow. Of course, about 21 years later, one of those tigers would maul Roy and end the Siegfried & Roy act. What was strange was how amused everyone was in the audience today as Voight told the story. Watch the video and you'll see; they laugh about the lady being tackled, even knowing what happened later. It would be like someone today giggling at the notion of a prop plane grazing the World Trade Center years before 9/11. Very odd.

Incidentally, the tiger act didn't appear in the film. But, on a totally unrelated note, Angelina Jolie Voight did, playing the daughter of Voight's character. It was her first role. I believe her first lines of her first film were, "Las Vegas, Nevada!"

Related: Jon Voight interview on TheStripPodcast.Com.

Saturday, May 30, 2009

Saturday Funnies...


This was today's Argyle Sweater. Wow. Harsh, huh? There's robust debate in the comments section over at GoComics.Com over whether this was fair, uh, game for a humor.

Strange, too, that in the Review-Journal, the tiger and Siegfried's jacket appeared as orange, not white. Plus, Siegfried's pants, the wall, the cop's gun and shoulder patch are all white. I'll scan in and add to this post later when I get home. (Miles is still recovering from strep and asked me to stay out of the house so the dogs don't go haywire and disturb his sleep.) Anyone have a clue why these color differences occurred? I find it hard to imagine the R-J would alter the comic over local sensitivities, but the fact that the tiger's not white in the newspaper version did have an effect on the joke.

Meanwhile, a couple of other toons I had clipped with Vegas-related relevancy. This March 8 Argyle Sweater is fun given where the new season of Top Chef is being filmed right now...


It's pretty amusing to see the folks on the GoComics.Com site debating who the lady on the right is in the comments section. Clearly, they don't watch the show.

And finally, this Danny Shanahan bit is only funny locally because the Luxor, thanks to desperate efforts by MGM Mirage to make money, does have colorful vinyl siding on it around here...

Thursday, May 7, 2009

This week's LVW Col: Danny Gans Understood

Here's this week's Weekly column. Off to lunch with my mom in Florida. -sf

Danny Gans: 1956-2009
Apart from Vegas, most of the country had no idea who Gans was -- and odds are he ws just fine with that
By STEVE FRIESS

Miles shook me awake last Friday at about 7:30 a.m.

“I need you to wake up,” he said. “You need to get up. Now.”

I was confused. I’d told him I didn’t need to be up until 8. But he looked grave.

“Danny Gans died in his sleep this morning,” he said.

My bleary look gave way to a puzzled one. It was the only reaction to such strange and awful news. How does a 52-year-old health nut die in his sleep?

Here are my first and second comments, in this order: “Oh, that’s so sad.” Then, after a long pause: “But I wonder who’s going to care.”

Yes, that sounds cold. But I meant—and Miles got it immediately—who in the national media will recognize this passing as a significant story? That’s my job and to some extent my function in this community, to determine what of the local news rises to the level of broader significance and interest, and which publication is going to want me to document it.

And so it was that I was brought immediately back around to the central conundrum that was always the most baffling part of the Danny Gans story: How does someone become such a mammoth, wealthy star, entertain untold millions and grin for years from the largest billboard along the most-traveled American tourist thoroughfare and still remain largely anonymous in the broader popular culture? Just seven years ago, a Los Angeles Times profile of the impressionist was topped by a headline that summed it up perfectly: “Las Vegas Loves Who?” Heck, the Wall Street Journal scribe Christina Binkley, writing an exhaustive book on recent Vegas history last year, misspelled Gans’ name!

Indeed, none of the East Coast-based papers or magazines I regularly write for took an interest in this startling passing as a news event. The New York Times, which furnishes a large part of my meal ticket, shunted the matter to a staff obit writer who aptly referred to Gans as “a show business anomaly, virtually unknown outside Las Vegas but a superstar on the Strip.” The Agence France-Presse, a Paris-based wire service read largely in Europe and Asia, let me write just 200 words because, “I’m afraid if he’s not that well-known outside Las Vegas, it’s not going to make waves,” my LA-based editor wrote me. And a CNN anchor actually said—on the air—something to the effect of, “You ever hear of Danny Gans, the Vegas headliner? He died today.”

I wasn’t surprised, per my mental calculation, upon hearing the news. The coastal media don’t take much interest in Vegas entertainment unless Hollywood somehow infiltrates it—see Hilton, Paris or Lohan, Lindsay—or unless there’s something that fits a wacky Vegas stereotype. The onstage tiger attack on illusionist Roy Horn was sensational news because there was blood and animals and traumatized fans and bizarre costumes. Even then, though, I had to remind photo editors repeatedly which one was Siegfried and which one was Roy.

Danny Gans wasn’t Vegas in that sense. When I saw Gov. Jim Gibbons on the news referring to Gans as another “Mr. Las Vegas” it sounded really odd. He wasn’t ostentatious or outlandish like Liberace, dramatic and tragic and campy like Elvis, schlocky like Wayne Newton. Gans just got on stage night after night, did a bunch of impressions that Middle America loved to see and went home.

Read the rest at LasVegasWeekly.Com.

Wednesday, March 11, 2009

The show is UP: Trump and Witch Mountain

Alrighty...So we didn't manage to get set up for a live chat this week at LVRocks.Com, but otherwise things are in good shape around here. I think -- although I could be wrong -- that the audio quality from home is a bit better than last time we tried it. And we're providing a supersized episode this time out to tide y'all over. Click on the date below to listen or right-click and save to your computer. Or subscribe via iTunes here or via Zune here. Enjoy.

SUPERSIZED EP!! March 10: Race To Trump Mountain

This week, on the Strip: He’s bold, he’s brash, he’s arrogant. And he’s on this show tonight. Donald Trump spoke to Steve last month for a New York Times piece on the Vegas real estate crash that appears in the Friday, March 6, issue. You get to hear that conversation in full this hour, including Mr. Trump’s conclusion that the American economy is in a depression and his mockery of the stalled condo development at the Venetian. Also, we hear from the director of the new Disney adventure “Race To Witch Mountain” as he explains how a Vegas cab can get from Planet Hollywood to Fremont Street in 10 seconds flat.

In banter:
Siegfried & Roy's return, Vegas economic ups and downs, Elaine Wynn's In N Out fetish and M Resort has opened.

Links:

Steve’s New York Times piece on the second-home market crash
The Race To Witch Mountain website
Film director Andy Fickman’s IMDB page
The VegasHappensHere.Com posts on the Siegfried & Roy’s return, 20/20 appearance and aborted third trick
Cleveland Clinic Ruvo Center for Brain Health’s site
The VegasHappensHere.Com post touting Hawaiian Air’s additional Vegas service
An Associated Press report on Allegiant Air’s good numbers
A Reuters piece on Terrible’s possible bankruptcy
An Associated Press piece on the Adelson-v- Weidner tussle
A Dow Jones piece on the Boyd-v-Station tussle
The Wikipedia history on the Moulin Rouge
The site for Jersey Boys Las Vegas
All you want to know about Frank Marino’s Vegas exit
The VegasHappensHere.Com post on Elaine Wynn
The site for RuPaul’s Drag Race
A Las Vegas Business Press report on the Trump class action suit

Tuesday, March 10, 2009

Exclusive: Siegfried & Roy's Canceled Third Trick

The part of the Siegfried & Roy TV special on ABC on Friday that nagged at me most was anchor Elizabeth Vargas' repeated reference to multiple animals backstage at the Bellagio on Feb. 28. Both in person and on the televised version of the brief farewell performance, audiences saw just one tiger. We were later told that tiger was Montecore, the animal that attacked Roy Horn on stage and ended his career on Oct. 3, 2003.

I mentioned this in my late Friday post about the "20/20" show and the Review-Journal's Norm Clarke also baffled over this in his Sunday column when he wrote: "Vargas and Siegfried both mentioned that the rehearsals involved "tigers," not a tiger. I had mentioned on my Web site a few hours after the event that a spy said two tigers were involved in rehearsals. Did somebody decide a two-cat act was too risky? Why?"

Now it can be told. And the truth may be far less interesting than what we imagined.

There was, indeed, a planned thir
d act, very reputable sources -- including a former S&R cast member who helped out -- tell me. And there were not just other tigers but also white lions backstage at the Bellagio. But the trick was called off on Saturday because of a mechanical problem that had nothing to do with Roy or his condition.

The original plan included three tricks. The first was the part where Siegfried emerges from the fiery cauldron, the second was when Siegfried and the white tiger switched places in glass boxes. After that part, Siegfried and Roy let out Montecore, took off their masks and soaked up the adulation of the audience.

Had all gone as planned, though, the duo was to have come down from the platform (where they stand in the photo above) and done a third trick involving the other animals. Then, at center stage closer to the audience, they would have revealed themselves and waved to the audience.

Unfortunately, the mechanical lift built into the platform where they stood after the second trick did not work during two auditions on Saturday. Rather than risk it failing during the show itself, they aborted it altogether.

See? That wasn't so bad. But, of course, S&R's folks won't talk about about it. I received a terse statement in response to an inquiry about this that reads: "There's nothing to add or comment on regarding their performance. They got to say goodbye on their terms and were overwhelmed by the response from those in the audience and the millions who watched the 20/20 Special on ABC."

Just another example, I suppose, of the mistrust bred by S&R's folks by the stonewalling and misinformation over the past five years. Is there some shame to having to cancel part of a performance? Does it sully what they actually did or their legacy? Of course not. Then why the bunker mentality? Like so much else involved in this , I guess we'll never know.

By the by, S&R proved ratings gold for ABC. The network tied for first on the 9 p.m. hour. I've asked whether the "20/20" special resulted in a surge in traffic and donations to KeepMemoryAlive.org, the web home of Cleveland Clinic Ruvo Center for Brain Health that was the beneficiary of the Bellagio fundraiser where S&R appeared. If I find out, I shall onpass.

Friday, March 6, 2009

SARMOTI with "20/20" Vision

Did you watch the Elizabeth Vargas hour on "20/20" about Siegfried & Roy? Of course, we did. If you didn't, go check it out on the ABC site. It's all there, at least it is for now.


Here were some of our impressions:

* Lots of nice tribute material to S&R, reminding us of what made them unique and exceptional. Good to be reminded.

* ABC said S&R sold $57 million in tickets a year. Over a 13.5-year run at Mirage, that's only $769.5 million. We in the media were told last weekend they grossed $1.5 billion. Huh?

* Lots of tap-dancing around exactly what kind of couple they were, which wouldn't have happened if they had been straight and on-again/off-again involved, i.e. Sonny & Cher. But the Siegfried-goes-to-the-Greek-monastery part was fascinating and I wanted to know more about that.

* Speaking of Cher, WTF? How did she land on Planet SARMOTI? By wearing more sequins?

* A reasonable degree of skepticism in Vargas' voice about the "Montecore was helping Roy" crapoganza but no outside tiger experts to talk about how laughable that is. Plus, the comments from famed tiger behaviorist Stephen A. Wynn were utterly maddening.

* No reference at all to the USDA's 233-page report on the incident that concluded it was, in fact, a tiger ATTACK. Also, no reference to the MGM Mirage and S&R getting the USDA to suppress the video from that night. Is it me, or is it odd that a major news network did a one-hour report on a topic and didn't cite the fact that the government did an 18-month investigation and released a massive public document on the matter?

* The comments from the audience members who were at the show where Roy was mauled were interesting but not terribly descriptive. Probably could've saved trouble just by excerpting quotes from news reports at the time.

* I did not doubt that it was Roy on stage last weekend but many other people did and I accepted the notion that if he was switched out I could have missed it. But the "20/20" footage confirmed that that was what I saw, that it was Roy there the whole time. And other footage showing his ability to speak and walk backed up to me that he was totally capable of doing what he did on stage.

* I'm more convinced than ever that that tiger was absolutely, positively not Montecore on stage at the Bellagio, unless they call all of their tigers Montecore. Had it been the same tiger that attacked Roy, much more on that would have been dealt with in the TV special. We would've gotten close-ups of the tiger, we would've seen rehearsals, etc. Instead, Vargas added in that the cat was Montecore at the very end, as an afterthought. Anyone catch a screen cap of the parts where they said the tiger being shown was Montecore? Would still love to compare markings.

* In the same vein, it was odd that Siegfried and Vargas both referred to "the cats" backstage when, in fact, there was only one animal in the performance. Not sure what that's about except that I don't know that ABC got the all-access pass that they claim to have gotten.

* Incredibly touching to see all those ex-castmates backstage after the Bellagio performance. And loved seeing Robin Leach taking those photos that, according to the Review-Journal's Norm Clarke, annoyed the organizers. I say more power to Robin, who deserved something for his yeoman emceeing efforts. (And, no, I'm not just saying that cuz Robin's a little sore at me at the moment.)

So what'd YOU think?

Thursday, March 5, 2009

This Week's LVW col: Suspicions of SARMOTI

Here's this week's Las Vegas Weekly column examining why there's so much suspicion surrounding the Siegfried & Roy event last weekend. Enjoy. -sf

Real magic

Roy Horn's moment onstage was an emotional watershed; too bad it couldn't escape the past

Image

By STEVE FRIESS

Forget for a moment whether the white tiger on the stage really was Montecore. Forget whether it really was Roy Horn under the mask for the entire 10-minute performance at the Bellagio last weekend. And forget, even, that Siegfried and Roy and their managers have spent the better part of five years telling ridiculous tales about what actually happened between Montecore and Horn that awful night at the Mirage, despite the fact that there were 1,500 horrified witnesses.

We’ll get back to all that shortly. But let it all go for a moment.

I did. It was the only way to take in one of the most genuinely emotional events in the history of Las Vegas. Many speculated afterward that much of the show may have been fake, staged. But the awkward, bittersweet smile on Roy’s face when he and Siegfried peeled off medieval gothic masks and soaked up the adulation of a teary-eyed, standing crowd at the benefit for the Cleveland Clinic’s Lou Ruvo Center for Brain Research?

That part was real. That part, when a man who was not supposed to be alive—much less ever walk or utter a syllable again—was up there enjoying a last bow? That was real. The evident and deserved satisfaction of enjoying one last hurrah after redefining Vegas entertainment and spectacle and delighting untold millions of people in their careers?

No illusion. All real.

What a shame, then, that there were so many skeptics. But the fault for that belongs solely with Siegfried, Roy, MGM Mirage and their handlers.

It’s never easy, as a journalist, to let go of the tricky past. Those of us who covered the attack on October 3, 2003, have long memories of how this story was handled, what lines of baloney were being fed to the public and how something tragic became needlessly controversial.

Read the rest at LasVegasWeekly.com

Monday, March 2, 2009

Was it really Montecore?


Siegfried & Roy's folks have said since Saturday night that the tiger that appeared with the duo was, in fact, Montecore, the same cat that mauled Roy in 2003. There's no real way of knowing and we had to take their word for it when we were writing on deadline.

Yesterday, though, an image of the threesome on stage at Bellagio for the comeback/goodbye appearance was distributed. Here's a close-up blown-up of Montecore:


And here's a photo of Montecore in earlier years:


It's really hard to tell, but I can't imagine any two tigers have identical markings. So the trick would be to compare the images to determine if the markings were the same. The older image -- the only one I could find that clearly stated it was Montecore and had a close-up facial shot -- is very difficult to compare to the side view in the image distributed to the press by Curtis Dahl Photography.

Anyone have any thoughts? See something I don't see? I will be watching the "20/20" report on Friday with great interest to see if there are any clues behind the scenes. Of course, since the video of the actual tiger attack was suppressed by MGM Mirage and the USDA's investigators, there's still no way to know because ABC could be shown any big tiger and told that this was the same one.

Sunday, March 1, 2009

An Exclusive SARMOTI Encore Pictorial

[UPDATE: For backstage coverage and lots of photos, visit Robin Leach's LuxeLife blog.]


Tonight at the Bellagio, Siegfried and Roy made their triumphant return/final performance in a massive ballroom as the focal point of a benefit for a $70 million brain research institute opening in downtown Las Vegas later this year. Also on stage -- or so they tell us -- was Montecore, the 380-pound white tiger who mauled Roy on stage at the Mirage in October 2003 and ended their 13-year headlining run there.

You can read my piece for Agence France Presse or you can read my pal Kathleen Hennessey's version for the Associated Press, which includes a lot more detail than mine on the performance. It was quite a moving event, as we'll discuss in greater detail on the next episode of "The Strip" and, hopefully, in my Weekly column.

For the moment, the photo above of me and Kathleen is one of the few I took at the event that actually has Siegfried & Roy in the image. No photography was permitted during their 10-minute performance and a promised image courtesy of ABC, which is doing an exclusive report on the duo on this Friday's "20/20," has not yet materialized.

We were actually not supposed to take any photos at all beyond the red carpet. Stars in attendance: Teri Hatcher, Hilary Duff and Danny DeVito. Here's a clevage shot of Duff for those of you who like that sort of thing:


Anyhow, I begged and cajoled and annoyed the organizers until finally S&R Manager Bernie Yuman gave me permission to shoot inside the ballroom, although not the S&R appearance itself.

Now, I've been to lots of big Vegas thingies and this was some event, at least for a charity dinner during a decession. Here's what the ballroom itself looked like:


It was a massive expanse with about 100 tables, a stage, a pair of large screens, several very fancy vehicles for live auction (including a $509,000 Rolls Royce with "over $42,000 in custom and unique features) emcee'd by Robin Leach. Our table included me, Hennessey, People Magazine writer Mark Grey, the R-J's Norm Clarke and his "leggy blonde" Cara, Las Vegas Sun medical writer Marshall Allen, Greenspun Media editor/writer/blogger/etc John Katsilometes and some German reporters.

This was what the table looked like:


This was perhaps the most over-set table I've ever sat at. Each place had about seven glasses of pre-poured wine to go with a three-course meal that included a chilled Maryland blue crab salad by Wolfgang Puck, a braised Kobe short rib by Todd English and a dessert by the Jean-Phillippe Maury that we'll get to in a moment.

But first, about those centerpieces. Each table had a slice of a tree trunk decorated with flowers and a red metal heart framing a plastic white tiger glued to a disco ball. I was among the last one to leave because I was filing my story, so I took a bunch. Here's what it looks like up closer:


Cool, huh? Not real sure what I'm going to do with three of them, but I figured they'd end up in the garbage if I didn't take them.

There were also costumed entertainers wandering about. Here are two images of that:


Hey! That last one's not of the entertainment although there was this one particular moment when I (a.k.a. Shecky Friess) cracked up Mayor Oscar Goodman on the red carpet.

Hizzoner was bloviating about how great it is that S&R were performing and how amazing the Frank Gehry-designed brain center's going to be. The world will be trumpeting it, it'll be like a clarion call, it'll be like the shofar sounding on Passover. He was clearly losing his mind, and I jumped in to note that, in fact, we Jews don't blow the shofar on Passover. The mayor was stunned silent -- not an easy task -- and he looked at me with a mock-hateful glare. His wife, Carolyn, jumped in to say, "You're absolutely right!" Much laughter ensued among those members of The Tribe present. (I've told this story twice now and it doesn't quite work, so I thin ya hadda be there.)

Back to the party. As elaborate as this event looks, it was not a black-tie affair. In fact, Sen. John Ensign, R-Nev., didn't even wear a tie and often doffed his jacket and he had the duty of announcing big donations from Vegas notables. (Steve & Elaine Wynn gave $1 million, IGT ex-CEO Charles Mathewson gave $5 million.) Ensign seemed to me like a strange choice for this deal considering that all the leading brain-disease researchers are champing at the bit to get going on embryonic stem-cell research and Ensign has always been a stalwart against it. Also, it was odd that Ensign was involved with honoring Siegfried & Roy even though he's also never supported anything remotely akin to gay rights.

But I digress. We reporters on the red carpet didn't have time to take in the cocktail reception with all the silent auction bidding, but here are some images from that and the red walkway into the ballroom:


The second image above was a rack of S&R's ornate coats for display. I don't believe they were being sold. And the last image is not a nod the "Love," the Cirque show that replaced S&R at the Mirage, but to the theme of the benefit, "Power of Love." That also explains the red heart on the table centerpiece.

The annual benefit for the brain center is called Keep Memory Alive. That brings us to dessert. Here's what it looked like.


According to information on the table, what you see there is a peanut gelato lollipop with dulce de leche caramel and crunchy brittle, a raspberry French Macaroon atop a rose petal-infused chibouste and a chocolate tiramisu with guanaja pearls and espresso cake. I'm just copying what the table card said. I'm not sure what most of that is.

Most interestingly, though, that oval plate that all of that was on was solid chocolate. Here is evidence that Norm tried to eat it with a fork:

I, of course, did it the easy way:


Good night, everyone!